Christiane Gossel
The subtle layers of perception
By applying several subtle layers of color the focus is lost , this ask us to slow down for an intense experience of Infinity .Through a combination of reduction and repetition by taking away the pictoriality, it is possible to discover what is left in order to playfully open up a new space for reflection and inviting us to take a step back in order to look forward.
The work of Christiane Gossel is now presented by Bos Fine Art , Den Haag, NL
The work of Christiane Gossel is now presented by Bos Fine Art , Den Haag, NL
It is amazing how airy a white painting is and how it melts with the wall. The white painting doesn`t sepperate you from the room - it becomes part of it
It is amazing how airy a white painting is and how it melts with the wall. The white painting doesn`t sepperate you from the room - it becomes part of it
Die Linie , II
Die Linie , II
Ich suche nicht nach einem balancierten Dialog zwischen Linie und Farbe oder zwischen Oben und
Unten. Vielmehr geht es um die Linie: es ist zuerst das Zeichnen einer Linie, die eine räumliche Gliederung des Bildraums und der Bildoberfläche schafft. Sie erst lässt den Betrachter die bildliche Gliederung wahrnehmen.
I`m not looking for a balanced dialog between line and colour or between top and down, rather it is about the line, the line it zelf or the line which can be a support for an metaphor. It is first of all the drawing of a line that creates a spartial structur of the image of space of surface. The viewer is te agent who perceives the pictorial structure.
Ich suche nicht nach einem balancierten Dialog zwischen Linie und Farbe oder zwischen Oben und
Unten. Vielmehr geht es um die Linie: es ist zuerst das Zeichnen einer Linie, die eine räumliche Gliederung des Bildraums und der Bildoberfläche schafft. Sie erst lässt den Betrachter die bildliche Gliederung wahrnehmen.
I`m not looking for a balanced dialog between line and colour or between top and down, rather it is about the line, the line it zelf or the line which can be a support for an metaphor. It is first of all the drawing of a line that creates a spartial structur of the image of space of surface. The viewer is te agent who perceives the pictorial structure.
Die Linie
Die Linie
Meine Arbeiten haben einen stillen meditativen Charakter. Ihr Gesamteindruck konzentriert sich auf den linearen Rhythmus der Linie.
My works have a quiet meditative character. Her overall impression focuses on the linear rhythm of the line. This meditative quality is reflected in the line and in its rhythm.
Blog
Galerie KUNSTRAUM DER REITER 1992-2000
Posted on March 18, 2018 at 1:05 PM |
Junge Kunst in Zürich 1996
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KunstRaum Der Reiter Valencia, 2000
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